Since the 1960s, your friendly neighborhood Spider-Man has been swinging his way through the world of cartoons - both the good and the bad. Whether it's new tech, crazy villains, amazing friends, or meme-worthy moments, this hero has seen information technology all; so much so that information technology only seems right to take a expect at all the best (and worst) blithe series that Spider-Man has graced with his presence and witty barrack.

10. Spider-Man: The New Animated Serial (2003)

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Set later the start installment of the Spider-Homo Trilogy , starring Tobey Maguire , Spider-Human being: The New Animated Series , is a 3D blithe drawing that continues the story of Spider-Man ( Neil Patrick Harris ), Mary Jane (Lisa Loeb), and Harry Osborn (Ian Ziering). Canceled later on i season for not 'fitting in' with the rest of MTV's programming, the series has e'er garnered mixed reviews. Two of the principal complaints are as follows: it contradicts the storyline of the movies it is based around, and information technology'due south ugly.

Which, to exist fair, it was made in the early on 2000s, when 3D animation was still coming into its own. That being said, Spider-Man: The New Animated Series does look similar a poorly rendered video game, with unnatural blitheness, strange camera movements, and backgrounds that feel lifeless and slow. It is reminiscent of a pupil pic; non the worst, only definitely has room for improvement.

ix. Spidey and His Amazing Friends (2022)

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A nod to the 1981 Spider-Man and His Amazing Friends , this series is aimed primarily at young children, which is really the only reason it's number nine on the list; there'south not much inherently wrong with it, just its niche target audience, simple storylines, and beautiful animation means that it won't entreatment to many people other than young children. At the very least, the blitheness is pleasant and the show is filled with lots of characters and references to past Spider-Human being media.

eight. Spider-Man Unlimited (1999)

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'Information technology could have been worse' is a common annotate when information technology comes to this story, which featured a new, darker Spider-Man, and some truly sci-fi aesthetics. An interesting concept, with promising story-lines involving the symbiotes Venom and Carnage, humanoid animals, and multiple Earths, but a lackluster voice cast and an inconsistent plot meant that the show ended after only thirteen episodes, and on a bewilderment no less.

Multiple scripts were written for a second flavor, but, for now, it seems that the door has been closed on this strange interpretation of the spider web-slinging hero.

7. Spider-Man (1981)

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This cartoon followed the classic Spider-Human being story: Peter Parker (Ted Schwartz) attempts to lead a double life, ane where he's a criminal offense fighting hero, swinging from the skyscrapers of the metropolis, and one where he's a higher educatee working a office-fourth dimension job as a lensman while living with Aunt May (Morgan Lofting).

In that location isn't much to say about this drawing; it's animation was simple, with zilch in item making it stand out, and the story itself was 1 that audiences take seen time and time once more through all of Spider-Man media. It's been praised for its faithfulness to the comics in both story and art style, but the series did little to brand itself stand out amongst its swain animated serial and information technology merely ran for one season.

half-dozen. Spider-Human (1967)

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With an extremely low upkeep, a habit of reusing quondam animation (at 1 point creating an unabridged episode with reused backgrounds, characters, and plot from an entirely different show), and one of the cheesiest scripts to ever grace the world of blitheness, Spider-Man is certainly something to behold in the modernistic world. At worst, it'll brand you cringe from the awkward dialogue and strange animation. At best, you'll exist laughing as you pick out all the various memes that owe this series their creation, virtually notably the 'Spider-Man pointing at Spider-Man' meme, which came from the fittingly named episode, "Double Identity."

The show isn't necessarily bad, per se; at least not in its entirety. The first flavour has Stan Lee every bit a consultant and the show is responsible for the dearest Spider-Man theme song. However, the second and third seasons of the show were met with cost-cutting procedures, that involved getting rid of the classic villains of the comic books and replacing them with generic monsters instead, most of which were reused from the show Rocket Robin Hood , which, like the second and 3rd flavor of Spider-Man, was produced past Ralph Bakshi.

5. Ultimate Spider-Human (2012)

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Receiving mixed reviews for its 'juvenile one-act' and 'dumbing down' of the more mature and nighttime themes that many felt intrinsic to Spider-Man, Ultimate Spider-Man left many fans wanting. It feels stuck betwixt wanting to be a goofy show that teaches young viewers valuable lessons and an ode to the classic Spider-Man that fans know and love, and ends up instead as a confusing mix of childish humor and a more mature-looking art way.

iv. Spider-Man/Spider-Man: Maximum Venom (2022)

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While critics take praised information technology for its "strong writing and performances," Marvel's Spider-Man , later changed to Spider-Human: Maximum Venom , seems to receive mixed reviews from fans. It follows the archetype Spider-Human being storyline - Peter Parker's (Robbie Daymond) transformation into Spider-Man - until it makes a sharp turn, sending Peter to a school for genius kids run by Max Modell (Fred Tatasciore). The show includes characters like Gwen Stacy (Laura Bailey) and Miles Morales (Nadji Jeter) every bit Peter's classmates, who aid him in his fights against various villains.

The show is fun and exciting, with clean animation that mixes traditional second characters with 3D backgrounds, but it's understandable that some fans may find its plot convoluted, especially if they went in hoping for a more 'classic' Spider-Man cartoon.

3. Spider-Man and His Amazing Friends (1981)

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Speaking of classic, Spider-Human and His Amazing Friends remains a honey staple of Spider-Man media, teaming Spider-Man (Dan Gilvezan) upward with the heroes Iceman (Frank Welker) and Firestar (Kathy Garver), who made her debut in this series.

Listed as number 59 in IGN's Top 100 Animated Series in 2009, Spider-Man and His Astonishing Friends fulfills every comic-loving college student's dream: to alive with your two best friends and fight crime together with your awesome powers. The bear witness even featured a number of notable guest stars, such equally Michael Bell, Red china Cavadini, and Peter Cullin, besides as a plethora of creative and heady plot lines.

Spider-Man and His Amazing Friends actually ran alongside the previously mentioned (and ofttimes forgotten) Spider-Man (1981), only it's clear to see that fans were more than interested in Spider-Man'due south escapades with his college buddies rather than a retelling of basic Spider-Man stories.

2. Spider-Man: The Animated Serial (1994)

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5 seasons of crime fighting, beloved triangles, villains old and new, and appearances from some of Marvel's most famous heroes, Spider-Human: The Animated Series apace captivated audiences and continues to exercise so. It'south big budget meant that it could dig deeper into the personal life of Peter Parker, while withal remaining faithful to some of Spider-Human's most archetype stories. Information technology's been nominated for multiple awards and was, up until Ultimate Spider-Human (2012), the longest running Spider-Human series.

Despite its counterfoil in 1998 due to a disagreement betwixt its executive producer and the network caput, the testify remains loftier on the listing of Spider-Homo adaptations.

1. Spectacular Spider-Man (2008)

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Where Ultimate Spider-Man failed to balance humor and more than mature themes, Spectacular Spider-Man excelled. Receiving widespread acclaim for its writing, exploration of darker topics, a true-blue portrayal of Spider-Man, talented vox actors, and a unique and refreshing art style, it only seems right to place this show in the Number 1 spot. The serial did an amazing (spectacular?) job at adapting classic Spider-Human into something new, without sacrificing important story and character background; characters feel like they accept a chance to come up into their own and mature also rounded people, rather than being cardboard cutouts of their comic-volume personas. All of them, from Peter Parker (Josh Keaton) to Norman Osborn (Alan Rachins) feel like real people, who have the risk to change and grow with the serial.

Information technology's a shame this serial concluded as before long every bit it did; it actually was quality tv set.

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